Robert Graves
the art process from the sketch to the final artwork
is the focused transfer on the same individual
for the unachievement of a greek and roman humanism
using the italian model to follow the reclaimed background
that helps the artist to forget his own person
and reach a virtual multitude
involved into the tracing of the thinking
like the slave in front of the same object
of an invisible Persian Bergerie
reflected by an ambidextrous relationship
to the created elaboration
different from the space and from the time
on the context flow
than a freedom of expression of the art and of the information
such the sequence report
to an alienation and to its equivalence equal
for a form of the thought
that could be an archetypal product
born from ancient and new decorative elements
of the dispatched and previous appearence
recalling the innovative role of the art
and its premonitory effect on the anthropological group
and on the registered landmark by the yearly rhythm of nature
for an alliance to the truth of an initial individual
as a preventive cure to a further contamination
under the body loss of the same collective wisdom
with a shared contemplation
from the light of a childhood belonging
to the darkness of the night dream.