THE WAY TO REACH THE SOCIAL INDIVIDUAL

ALIKE AN INITIAL MAN

COULD BE THE ANTHROPOLOGICAL BEHAVIOUR

TO THE OBJECT OF THE FORMER IDOL

AND ITS BROADCASTED COMMUNICATION

FORWARDING THE SAME PRODUCT OF THE ART

UNDER THE MANNER OF THE ITALIAN MUSEUM

SUCH A DEMONSTRATION BY THE ARTIST

FOR ITS INFORMAL APPROPRIATION IN SITU

AND ITS RECONSTRUCTION

AS A BLANK SPACE SURROUNDED BY ARTWORKS

SHOWING THE PROCESS OF THE ART

AND ITS FURTHER LINK TO THE MEDICINE

appropriation à Florence

appropriation à New Delhi

                                                              appropriation à Aleria

the APPROPRIATION is the support of the art like a place where the public property becomes private by the transfer of the museum artefact and its provenance onto the original form of the same object regressive to the archetypal feature of its divulgation at the social individual and at his role of foreigner with an aestheticism landmark making easier the rebuild by the artist of the uncorrupted emptiness of his space able to restore a decayed behaviour by the experience to the time flow and by its initiation at a social science of image like the soil pedestal for a physiological academism of the actor abstracted to the imitation of the nature by the art and by its retrocessive and yearly rhythm.

l'APPROPRIATION est le support de l'art comme le lieu où la propriéte publique devient privée par le transfert de l'artefact du musée et de sa provenance sur la forme originale d'un même objet regressive vers la caracteristique archetypale de sa divulgation à l'individu social et à son role d'etranger à un repere continu de l'esthetisme facilitant la recomposition par l'artiste du vide incorrompu de l'espace apte à retablir un comportement delabré par l'experience du flux du temps et par son initiation à une science sociale de l'image comme du piedestal du sol pour un academisme physiologique de l'acteur abstrait à l'imitation de la nature par l'art et par son rythme retrocessif et annuel.